All Adriaen van der werff Oil Paintings

Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics
 

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Adriaen van der werff Elisabeth Dierquens oil on canvas


Elisabeth Dierquens
Elisabeth Dierquens
Painting ID::  92906
  1694 Medium oil on canvas Dimensions 48 X 40 cm (18.9 X 15.7 in) cjr
  1694 Medium oil on canvas Dimensions 48 X 40 cm (18.9 X 15.7 in) cjr

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Adriaen van der werff A nymph dancing before a shepherd playing a flute. oil on canvas


A nymph dancing before a shepherd playing a flute.
A nymph dancing before a shepherd playing a flute.
Painting ID::  93173
  1718 Medium oil on panel Dimensions 44 X 33 cm (17.3 X 13 in) cjr
  1718 Medium oil on panel Dimensions 44 X 33 cm (17.3 X 13 in) cjr

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Adriaen van der werff Adam and Eve. oil on canvas


Adam and Eve.
Adam and Eve.
Painting ID::  93174
  between 1674(1674) and 1722(1722) Medium oil on panel Dimensions 45 X 35.5 cm (17.7 X 14 in) cjr
  between 1674(1674) and 1722(1722) Medium oil on panel Dimensions 45 X 35.5 cm (17.7 X 14 in) cjr

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Adriaen van der werff Lot and his daughters. oil on canvas


Lot and his daughters.
Lot and his daughters.
Painting ID::  93606
  1711(1711) Medium oil on panel Dimensions Height: 45 cm (17.7 in). Width: 35 cm (13.8 in). cjr
  1711(1711) Medium oil on panel Dimensions Height: 45 cm (17.7 in). Width: 35 cm (13.8 in). cjr

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Adriaen van der werff portrait of his wife Margaretha van Rees and their daughter Maria oil on canvas


portrait of his wife Margaretha van Rees and their daughter Maria
portrait of his wife Margaretha van Rees and their daughter Maria
Painting ID::  96560
  1699(1699) Medium oil on canvas mounted on panel cyf
  1699(1699) Medium oil on canvas mounted on panel cyf

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     Adriaen van der werff
     Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics

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